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“Unless you are prepared to be insulting…”

This is so true, because you cannot assume that these smaller groups have no right to enjoy their own culture.

“The right answer is generally to watch the end of the scene.”

But a good point in your case, because while Memento is interesting to watch…it is also weird as hell. Don’t get me wrong, there are many, many interesting characters for sure… but there are so many that that the story itself becomes a bit confusing, and I find myself lost at times. It did give me some interesting ideas, but I also get the feeling that I would have liked to have seen a documentary of that life. I’m not sure it was done quite right, but I am curious how you went about writing this particular essay.

“In his death scene I try to make him seem svelte, slim, and professional. If you choose an overweight man, it may look less convincing. I know there are people who think it looks strange that Leonard Cohen, with his huge coat, with his receding hair, looks slim, more professional, than the grumpy and bearded Leonard Cohen in the final scene. It’s just how I see it.”

It’s also a safe bet that Leonard Cohen had a reason to wear that robe…and just as likely it has to do with his personality and life. It’s nice to see that you incorporate a sense of Leonard Cohen’s life, as he had one, and as he lived on into that robe. I know there is no way for you to accurately depict this life and death, but I am guessing that it is a pretty accurate portrayal of him.

“But, since I will always be Leonard Cohen, I can’t stop acting like him until he dies, or at least I want to. I have to follow my instincts on that. I have to act like I’m dead and svelte, and probably frizzy, and bearded, and have a caftan. It’s an acting choice.”

Of course. From what I understand, he’s not the best at acting, either. A lot of the
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